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Moryarty

Decroissement Altitudinal de la vegetation Poster

Decroissement Altitudinal de la vegetation Poster

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Decroissement Altitudinal de la vegetation (1860) by Jean-Augustin Barral

This striking vintage poster beautifully illustrates the fascinating transition of plant species along mountain altitudes, making it a captivating conversation piece for nature lovers and those who appreciate the blend of science and art in home decor.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : SCI75

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  • "Very nice Posters. The quality is amazing and we received it very quickly !"

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  • "Perfect to find gift. Price are very good. An they can frame and pack it on site"

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About the Artist

Jean-Augustin Barral was a French nineteenth-century science writer and educator whose work played a significant role in popularizing scientific knowledge. His publications made complex subjects like botany, climate, and agriculture accessible to a broader audience. Barral’s approach reflected a period when visual aids were vital for teaching, and he was known for transforming scientific observation into clear, instructive diagrams.

His contributions are valued among those interested in the evolution of scientific communication, and his legacy endures in the tradition of science prints that blend education with visual clarity. For admirers of notable historical artists, Barral represents the intersection of scientific rigor and elegant design.

The Artwork

Decroissement Altitudinal de la vegetation was created during a time when mapping environmental zones was at the forefront of botanical research. In 1860, the classification of plant life by altitude was a novel way to visualize the relationship between geography and ecology. This chart was likely intended for educational use, helping students and enthusiasts understand how vegetation changes with elevation.

The artwork reflects the era’s fascination with systematic observation and the desire to present nature as an organized, comprehensible system. It served as a reference tool for both academic and public audiences, illustrating the layered structure of mountain environments and the scientific principles underlying plant distribution.

Style & Characteristics

The visual structure centers on a stylized mountain cross-section, divided into horizontal bands that represent different vegetation zones. Each band is labeled with plant names and features small illustrations of characteristic species. The diagram is rendered with precise linework and careful labeling, conveying the authority of a scientific chart.

The palette is dominated by soft greens and earthy browns, set against a light background that enhances clarity. Subtle color accents guide the viewer’s eye through the various altitudinal zones. The overall mood is orderly and contemplative, making this scientific print both informative and visually appealing, especially when paired with botanical wall art.

In Interior Design

This vintage scientific print brings a sense of curiosity and structure to spaces like home offices, studies, or reading nooks. Its organized composition complements minimalist, Scandinavian, or Japandi interiors, adding historical depth without overwhelming the decor.

Pairing the print with green plants or wooden furnishings can echo its natural tones, while a warm frame enhances its vintage appeal. It also integrates well with nature-inspired schemes, and can be displayed alongside landscape posters or other educational charts for a cohesive look.