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Moryarty

Persian 2 Poster

Persian 2 Poster

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Persian 2 vintage pattern (1899) from Grammar of Ornament book by Owen Jones

Inspired by Owen Jones’ passion for global design, this poster showcases mesmerizing geometric motifs and vibrant hues, echoing the rich artistic heritage of Persia and making it a striking centerpiece for any sophisticated, culturally inspired interior.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : ORI91

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About the Artist

Owen Jones was a British architect, designer, and influential design theorist whose research into historical ornament profoundly shaped nineteenth-century decorative arts. His seminal work, The Grammar of Ornament, introduced a systematic approach to studying patterns from around the world, inspiring generations of designers to integrate global motifs with modern sensibilities. Jones’s dedication to understanding and cataloging ornament made his designs essential resources for architects and craftsmen of his era.

Persian 2 exemplifies Jones’s scholarly approach, merging historical study with practical application. Created as part of a broader movement to revive and reinterpret Islamic and Persian decorative traditions, this plate served as a model for those seeking to enrich contemporary interiors with time-honored patterns.

The Artwork

Emerging during the late nineteenth century’s fascination with Orientalism, Persian 2 reflects a period when Western designers actively sought inspiration from Persian and Islamic art. These pattern plates were not intended as mere decoration, but as working references for artisans producing wallpapers, textiles, ceramics, and book covers. The focus is on the universal language of ornament—an exploration of symmetry, repetition, and abstraction that transcends narrative and foregrounds craftsmanship.

For admirers of Oriental design, this work captures the intellectual curiosity and cross-cultural exchange that defined Victorian-era decorative arts. It stands as a testament to the era’s efforts to document and adapt global visual traditions for new contexts, a legacy still visible in today’s classic art and design collections.

Style & Characteristics

The composition features a tightly interwoven geometric grid, adorned with repeating floral and star motifs. Framed by distinct borders, the design achieves clarity and order, making it visually striking even from a distance. The palette balances warm reds and oranges with deep greens, softened by beige and yellow accents that lend the surface a textile-like richness.

Flat, opaque color fields and precise outlines create a sense of rhythm and ceremony, while the overall effect remains harmonious and architectural. The poster’s intricate geometry and vibrant hues make it a compelling example of Persian-inspired pattern work, ideal for those drawn to ornamental wall art with historical depth.

In Interior Design

This vintage poster brings a sense of structure and warmth to living rooms, dining areas, or studies, especially when paired with brass, walnut, or woven materials. Its bold geometry can anchor a gallery wall or serve as a focal point above a console, complementing both eclectic and modern interiors.

To harmonize with its colors, consider terracotta accents, olive textiles, or warm neutral walls, allowing the pattern to stand out. Collectors interested in red wall art or globally inspired decor will appreciate how this piece bridges tradition and contemporary style in curated spaces.