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Moryarty

Man facing flames Poster

Man facing flames Poster

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Man on hill, facing flames, Prop art New York (1972) by Gary Yanker

This evocative poster, inspired by Gary Yanker's powerful anti-war message, captures a moment of reflection and resistance, making it a compelling conversation piece that adds both historical depth and bold visual impact to any modern living space.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : PUB240

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  • "Very nice Posters. The quality is amazing and we received it very quickly !"

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  • "Perfect to find gift. Price are very good. An they can frame and pack it on site"

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About the Artist

Gary Yanker was an influential poster artist whose work in the early 1970s captured the spirit of social activism and graphic innovation. During this era, designers harnessed the power of bold visuals to communicate urgent messages, making posters a vital part of public discourse and protest culture. Yanker's designs are emblematic of a time when art and activism were deeply intertwined.

His 1972 poster stands as a testament to the era’s commitment to visual clarity and direct communication, aligning naturally with other impactful works in our curated poster selection.

The Artwork

Man facing flames was created in 1972 against the backdrop of widespread anti-war sentiment. Posters like this were distributed on campuses and in public spaces, serving as tools for rallying support and provoking thought. Rather than referencing a specific event, this work distills the emotional and ethical tensions of its time, inviting viewers to reflect on the consequences of conflict and the role of individual conscience.

The poster resonates with the era’s rhetorical challenges to authority and collective responsibility, echoing the spirit of protest that defined the early 1970s. Its enduring relevance lies in its ability to provoke contemplation and dialogue in any setting.

Style & Characteristics

The design features a stark human profile confronting stylized flames, rendered in a limited palette of black, red, and white. The high-contrast composition and sharp edges ensure immediate impact, characteristic of effective protest posters. Flat color fields and assertive negative space evoke a screenprint aesthetic, emphasizing clarity and urgency.

The atmosphere is tense and focused, making this work especially appealing to collectors interested in red-accent wall art and black and white prints with a modern, graphic sensibility.

In Interior Design

This poster brings concentrated energy to spaces such as home offices, studios, entryways, or gallery walls. Its minimalist palette complements materials like concrete, walnut, and matte metals, suiting contemporary and industrial interiors.

For a refined presentation, pair with a simple frame and generous white matting. The vivid red accent can be echoed through a single decor element, creating visual harmony and a purposeful rhythm in modern interior design.