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Moryarty

Flower pattern Poster

Flower pattern Poster

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Flower pattern, Examples of Chinese Ornament (1912) by Owen Jones

Bring timeless elegance to your home with this exquisite floral poster, inspired by Owen Jones’ mastery of color and design, whose influential work in the 19th century shaped modern decorative arts and continues to captivate with its harmonious patterns and vibrant hues.

Our posters are printed on thick (230gsm) acid-free matte art paper, using a long-lasting UV-resistant ink. We also offer the option of printing on textured canvas (300gsm), more flexible and resistant. Our frames are made of either light and resistant aluminium, or solid wood. More details in our FAQ

Ref : BOT141

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About the Artist

Owen Jones was a pioneering British architect, designer, and theorist whose research into global ornament transformed nineteenth-century decorative arts. His influential work, The Grammar of Ornament, codified principles of structure, geometry, and color that shaped generations of designers. Jones’s legacy continued well into the twentieth century, as his motifs and theories were adapted in later publications and design education.

This 1912 plate demonstrates the ongoing relevance of Jones’s decorative vocabulary, reflecting a period when ornament was regarded as a vital language connecting craft, industry, and interiors. It stands as a testament to how historical pattern studies informed both teaching and practice in the decorative arts.

The Artwork

This floral pattern is part of the tradition of ornamental plates created for practical application in design. Pattern books like this circulated widely in studios and workshops, providing adaptable motifs for wallpapers, textiles, tiles, and architectural details. Such resources enabled designers to reinterpret historical and cross-cultural influences for contemporary use.

The design’s reference to Chinese ornament highlights the Western fascination with East Asian aesthetics, particularly the interplay of stylized and natural forms. As a vintage decorative plate, it illustrates how global visual research enriched the decorative arts and influenced interior design from the late Victorian era into the early twentieth century.

Style & Characteristics

The pattern features a repeating floral motif arranged with precise symmetry and ample white space, lending the composition an airy, balanced quality. Stylized red and blue blossoms and foliage interlock in a rhythmic, orderly fashion, emphasizing clarity and restraint over painterly expression.

The limited palette of white, red, and blue creates strong contrast and visual clarity, making the design both striking and versatile. The overall effect is refined and decorative, offering a timeless botanical print that bridges historic design with modern sensibilities.

In Interior Design

This artwork brings subtle energy to kitchens, dining rooms, entryways, or offices, where pattern enlivens the space without overwhelming it. It pairs beautifully with porcelain whites, indigo textiles, and red accents, and also complements warm woods and brass for a classic touch.

For a cohesive look, display it alongside other East Asian inspired wall decor or curate a gallery with botanical art prints. Its crisp palette also fits seamlessly into blue tone posters, making it a versatile choice for a range of interior styles.